We have been working for several years now with different visual artists by inviting them to address the theme of memory. To each one of them, we suggested they envision and create a conceptual piece on the subject. In this way, while Gerardo Feldstein and Grupo Escombros worked with installations that appealed to memory and the claim of justice, Emiliano Miliyo developed a large column to work the absence and presence binomial. Jorge Caterbetti, in turn, incorporated the material aspect of the copies from the AMIA court case briefs to make his Memory Cart, and Tomas Espina produced an alphabet with stencil letters starting from the remains of a van similar to the one used during the AMIA bombing, which questioned us in relation to what still cannot be named. These few examples aim at evoking how the creation of artworks prompt us to exercise our memory. Last year, together with the artist Marcos Acosta, we started to work on a different project. Even though we shared the same final objective, the concept in this case was to propitiate a memory exercise from painting. It was in this way that the exhibition “Re-memory.- Life Portraits” was conceived and made a reality.